Had a lovely shoot with the amazing Cyrielle a while ago. We had a shoot a little less than a year ago and the resulting images where great, so Cyrielle contacted me again and we started exchanging some ideas, mood boards and such as to what we wanted to obtain.
Cyrielle is a stylist and a model, and as the concept of the shoot was fairly basic there was no need for an external stylist. The concept of the shoot was a very cute, sexy, lingerie-ish shoot. As I said, we already had worked together so we both knew each others style, tempo and abilities. We tried working around our schedules, which wasn’t easy and due to a couple of reschedulings we found ourselves the day before without a make up artist. I usually work with the usual make up artists but none of them were available at that moment. When the time came to do it or cancel the shoot, we decided to just go ahead with it and gun it.
Great images can result from a shoot where it’s only you and the model. It doesn’t always have to be a big team with a lot of pressure. Most of this shoot was spent talking and devising poses, outfits, image styles and what not. The great thing about having no expectations is that you can’t be dissapointed right?
So we gunned it, she did her own basic make up. We wanted to keep it light, since that was the theme of the shoot so the make up wasn’t that extensive. Some foundation, basic concealer and a little bit of mascara.
We started shooting and quickly realized that this would be turning out great. A good team of make up artists, stylists, assistants is a big plus to your shoot, but that doesn’t mean you can only do these shoots if you’ve got everyone on board. Sometimes you can just go with the flow, and it can result in great pictures.
This one was shot with a single trusty beautydish overhead to the left.
Here we combined day and artificial light. Cyrielle was standing in front of a huge window with a white curtain. Spot measuring allowed to flood her with soft midday light, as a beautydish in front provided the fill.
Here, the only lightsource was an octabank low to the left.
Most of the images where shot on either the Nikon 85mm or the Nikon 80-200 f/2.8. I shot this shoot the day I got the Fuji X100 on which I just did a blogpost. Absolutely wanted to try it out and here’s what I found. Unsurprisingly, it’s not a studio portrait camera. The X100 has a fixed focal length of 35mm which is too wide for portraits. If you are too close to your subject, the face will be all distorted. However, Fuji’s color rendition of skin and colors is legend. So is the rendition of those things on the X100 so the images are of great quality. It does have a future for environmental portraiture, where you need to take some distance from your subject to incorporate the scenery or the environment. The 35mm allows you to do just that, and the image quality of X100 is perfect for that.
All in all, when in doubt, always shoot. Doesn’t matter if one of team didn’t show up. Sure it can be a pain in the ass, but work around it. If you’re a pro, it’ll happen more than once and you can’t just drop everything and tell everyone to go home. You persevere. You push on. And if you’re lucky, something good will come out.
More to come,